Poem: A Dedication

Under the stones of the river flowing cold

Reverberations of all the words so old

Sound for the connected souls who care to hear

Undulating rhythms, yet somehow so clear

Let those who wish to receive them gather in

And offer love; respect; honour – with a grin

 

Knowing what we have lost, wise beautiful soul

 

Let’s remember the way back to being whole

Ever the words remain while we can hear them

Gaining inspiration, and holding dear them

Using our power, hopefully, within the

Internal equilibrium, weaving, we

Now rejoice in the words which help us be free.

 

In memory of a great word-weaver, who this year joined with the infinite

Photo by David Ashwanden

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Summer and the Way of Art

It’s been almost a year since my last published article on here – the Wheel of the Seasons has turned around and here we are already at Beltane; a time of cleansing with fire, of coming back to life, of the balance of light and dark tipping ever more towards the light. A time of freshness, creativity and renewal. I thought it an appropriate time to write somewhat of a meta-post (don’t worry, I won’t make a habit of it) on the artistic or creative process and why it sometimes seems so very difficult.

My last article was ‘Down the Rabbit Hole’ (1); well, I might have fallen down it and got lost for a while. These are my experiences, I hope they resonate with you and maybe even help you on your own artistic path.

Why make art?

Much of our society appears geared towards short-term material gain. In a world of intellectual property rights, deeds of entitlement, money as time and where creating art in order to sell a product can gain you instant financial success compared with the uncertain and often penniless path of creating things simply for the pleasure of creating, is it any wonder that sometimes we may ask Why am I making this art? What purpose does it have? Can I use it in a professional context and if not, should I really be wasting my time on it?

Such questions, though understandable, miss the fundamental aspect of art: that it is absolutely neccessary for our continued existence as humans. We are creative beings; simply by being alive we carry the ability to make and regenerate, as well as the ability to stagnate and destroy. The choice is always ours. The creative process is an aid to so many aspects of our lives. Indeed, John Paul Lederach, founder of the Center for Justice and Peacebuilding at the Eastern Mennonite University (2) writes about how, since making and maintaining peaceful societies is an ongoing process of creativity, one must be in tune with one’s creative drive in order to effectively achieve peace (3). In this sense, art and peace can be seen as inextricably linked; we cannot live in a world which is more or less free of conflict unless we honour and exercise the artist within us.

The Moral Imagination

Who can make art? The answer, of course, is ‘you’; and indeed everyone. Artistic actions are not necessarily measurable and so their effect can often be overlooked. Lederach gives a number of examples of artists responding to times of extreme violence or crisis, and the possible consequences; though these can never truly be known except in the hearts of those who experience them. For instance, the cellist who sat playing in the public square of his town while bombs fell all around him, following the murder of many of his fellow townsfolk who were trying only to buy bread.

As Lederach writes,

“When his spontaneous playing was done, Smailovic discovered that people had gathered to listen near the square… ‘I understood then,’ he wrote, ‘That…music heals, and that this was no longer a personal issue.’ He decided to return to the Bread Massacre Square and play every day for twenty-two days in a row, one day for each person killed in the massacre. Shelling never ceased during those days, but neither did his music.

…

On one occasion, during a lull in the shelling, a TV news reporter approached the cellist seated in the square and asked, ‘Aren’t you crazy for playing music while they are shelling Sarajevo?’ Smailovic responded, ‘Playing music is not crazy. Why don’t you go ask those people if they are not crazy, shelling Sarajevo while I sit here playing my cello.’” (3)

For Lederach, this story and many other examples are portrayals not only of people using creativity, but of the embodiment of what he calls the “moral imagination”. This is made up of four things, creativity being one of them;

1- Holistic thinking (this could also be equated to ‘permaculture’); an ability to view the holistic web of relationships which make up our experience

2 – A “paradoxical curiosity” about what is possible

3 – Creativity; A “fundamental belief” in the power of art and the creative act

4 – Risk; the willingness to take risks. (3)

The art of falling into a hole

I go into more detail about the moral imagination in my article here (4) and if you are interested in the subject, I strongly recommend that you read Lederach’s book of the same name (3). Right now I want to look at the fourth strand of the moral imagination, that of risk. This can be seen as, in many ways, the most difficult practice of all of them. Artists are kind of risk-takers by nature, in that we journey beyond what has previously been deemed possible, find ways to receive the gifts of what we find there, and bring them back to our respective societies. We walk the “sharpened edge of the razor,” as Joseph Campbell puts it (5).

But sometimes it is easy to slip into the comfort of not taking risks. This comfort could be in the fact that you feel pretty good where you are and do not want to change it. However, it could also be the opposite; that the status quo, however violent, painful or full of suffering it may be, has been going on for so long that you have become used to it, and to change it would be to upset your feeling of security within it. Along with this might be the lure of many artists, the idea that perfection is unachievable and pain is inevitable, which, if taken to unhealthy extremes, could lead to the conception that there is no need to change anything because it is already how it is.

If you keep going with that train of thought, in my experience, it can lead past a balanced view of the holistic equilibrium of life, to a kind of inertia in the face of it, or even an irresistible attraction to that which can be seen as dark and ugly; since that is what we are already accustomed to. As Ursula K. LeGuin put it,

“Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.” (6)

So how can we step beyond this potential inertia or depression?

Lederach says,

“Risk is mystery. It requires a journey. Risk means that we take a step toward and into the unknown.” (3)

The unknown can always be a scary place, but not to go into it willingly and creattively is to somewhat let go of our enthusiam for life.

Lederach writes mainly from his experience of working with people in situations of overt physical violence or conflict, from Sri Lanka to Serbia, Colombia to Northern Ireland, where after over thirty years of “Troubles”, one peace researcher is quoted as saying,

“Violence, fear and division are known. Peace is the mystery! People are frightened of peace. It is simultaneously exciting and fearful. This is mystery. Peace asks a lot of you. It asks you to share memory…it asks you to share the future…It is walking into the unknown.” (3)

Heading into the unknown

I believe that even if you do not live in a society where violence and conflict are overt, Lederach’s work can still be immensely useful and powerful. All violence and conflict can be seen as beginning within each individual human consciousness, and we need to exercise the moral imagination within ourselves in order to then bring it to our communities.

Feeling pain and experiencing violence is part of life. Pretty much every society in this world has some kind of overt or inherent violence to it, and to some extent it can be helpful to accept this since it is how it is. But allowing it to influence our actions just because it has been so for some time is to refuse the call of the artist, which is the call of our own inner voice.

Our art probably can help us in many ways, help us to heal, help us to be happy, help us to gain the resources we need to live. But until we listen to the voice inside us we probably can’t know how; the path of the artist is not really something which can be planned.

Listen to it, follow it, even into mystery and the unknown.

You never know where it might take you.

References

1. Ashwanden, C, 2017. ‘Down the Rabbit-Hole: Storytelling and its Healing Potential in Modern Society’. Abundance Garden, 20/6/17. https://abundancedancegarden.wordpress.com/2017/06/20/down-the-rabbit-hole/

2. Center for Justice and Peacebuilding, 2018. ‘About CJP’. https://emu.edu/cjp/about/

3. Lederach, J.P, 2005. The Moral Imagination: The Art and Soul of Building Peace. Oxford University Press: Oxford, UK.

4. Ashwanden, C, 2017. ‘Permaculture and Community, part 1: Permaculture as a tool for peace’. Permaculture News, 2/11/17. https://permaculturenews.org/2017/11/02/permaculture-community-part-1-permaculture-tool-peace/

5. Campbell, J, 1959. The Hero with a Thousand Faces. Griffin: New York City, USA.

6. LeGuin, UK, 1973. The Ones Who Walk Away from Omelas: A Story (A Wind’s Twelve Quarters Story). Harper Perennial: New York City, USA.

Down the Rabbit-Hole

Storytelling and its healing potential in modern society

Humans and nature: two things which many modern societies see as separate, in spite of the fact that we clearly remain very much a part of, and connected to, the natural environment around us. Just because you may not immediately sense the vast swampy wilderness beneath the city concrete under your feet, or smell the sweet, fresh tang of the mountains and wildflowers beyond the more immediate exhaust fumes and smog, it doesn’t mean that they are not there. The web of life is all around us and wild nature calls to us from within our own hearts if we just listen.

Our unique cultural advantage

Much of our modern society can be seen as far from perfect, and there are many aspects of our disconnection from nature which may be causing unbalance and therefore lack (or perceived lack) of abundance in our local ecosystems. Our ancestors rejoiced in the gifts of the wild forest and danced in the footprints of the animals whom they revered, adored and devoured; when compared to our own version, our fluorescent pre-packaged experience of food-gathering may sometimes seem a poor substitution.

Yet there are some things we have which are unique to our culture and which, if we do it in a considered way, we can use to help us to re-strengthen our connection to the natural world and all its abundant wonders.

Adventures and shamans

Communing with the ‘more-than-human world’ (1), finding balance and harmony within to strengthen the balance and harmony without, and healing yourself and your community as part of a wider healing, are all traditional roles of those members of ancient societies who have been termed ‘shamans’ by modern anthropologists, although what they call themselves differs from culture to culture. All of these things can be seen as of huge importance in today’s world to help us to gain the balance and harmony which we can achieve within our ecosystems if we are attuned to it. Yet ‘shamans’, even in their own societies, are not generally seen as ‘normal’; the role is not one which everyone partook in, and probably not everyone would want to. Many of the things which ‘shamans’ did may well be seen by much of modern society as signs of ‘madness’ (see for example 2).

Are we all then mad?

However, one thing to bear in mind about shamanic tools is that the vast majority of people in modern society, regardless of how little interest they have in ancient cultures, are very skilled at using some of them, and if these words are creating sounds of sense within your head at this moment then you are one of those people.

What I mean is, with the skills of reading and writing which many of us may take for granted we can engage in powerful creative practices, the likes of which the ‘shamans’ of less literate cultures would have had to ingest strong entheogenic medicines, deprive themselves of food or sleep, or engage in repetitive activities for many hours to achieve.

As Serge King, author of Urban Shaman (3), puts it,

” We are part of a unique society that has already, though
unknowingly, prepared us well…Ever since you started reading about Dick and Jane and Spot you were in training to be a shaman. Radio, television,
and movies have all helped to reinforce your skill. The development
of intentional inner vision took a long time in
traditional societies, because it wasn’t reinforced by the
whole society. Exceptional people like poets, storytellers, and
shamans seemed to be using magic when they evoked waking
visions in the minds of listeners to their tales, legends,
and inner experiences.” (3)

Weaving our own magic

It is this magic which we can use to help us to create what we imagine, and to give special attention to particular things, people, places or events which can help us to respect and honour them. Perhaps you do not believe in magic and that is fine, since, as King would say, “the world is what you think it is” (3). It may be worth considering, however, that our connection of literacy and magic is present even in our modern language – when we speak about how to write a word we talk of the “spell” needed to create it.

King says,

“You, now, have the skill of reading, a rare skill in the history of mankind, which trains you to focus your attention and evoke internal experience on your own at will” (3).

What took a gifted few years of practice, dedication, meditation and art to achieve is now accessible much more easily to huge numbers of us because of this skill. That doesn’t mean that we don’t need to learn how to use our imaginations wisely. We do, and this in itself, with the self-reflection and realisation that may come with it, may lead to what feels like madness, especially when considered from a societal point of view.

Treading the labyrinth

It is when we start to walk the path consciously that we may be most in need of stories to help to guide us. Luckily, such stories already exist in their thousands and many are freely available through that great storyweaving machine, the internet. The stories which we choose to resonate as part of our lives can help to sustain us and to heal our own psyches, thus enabling us to heal the outer world as well.  From this perspective even our most grotesque and seemingly destructive human creations can be seen to be a part of the web of life.

Big wheels and little wheels

How can we start on this path? How can we, as Joseph Campbell put it, pick up the golden thread left behind us by the storytellers of the past, and use it to help us find the way through the labyrinth? How can we step beyond the seeming comfort of a life half-lived and step onto the sword-edge of the path to our own bliss?

Perhaps a simple way to start is to consider what stories you wish to resonate with about the cycles of time in your own life. The moon and the sun are things which all humans have experience of, and in Europe the cycle of the sun was in the past by many and is by a few even now, closely followed and celebrated, with each stage having its own story and meaning, so that people could attune and resonate with the seasons and the unique gifts they bring. This ‘big cycle’ of the year, with its eight ‘feasts’ of Yule, Imbolc, Ostara, Bealtaine, Litha, Lammas, Mabon and Samhain, during which time the daylight present in the day goes from very little to a lot and then around again, is reflected on a monthly scale by the cycle of the moon, which is also noted and celebrated.

Sun is come

The ‘Wheel Year’ is celebrated now in Britain mainly by people who have picked up the threads of the old stories rather than as part of an unbroken tradition. This means that the stories are always evolving and reflecting our changing ways, and we can interpret them however seems fit to us. You may not care about the upcoming Litha or Summer Solstice, which is happening in the Northern Hemisphere tomorrow. Many people do, and in England hundreds shall gather at Stonehenge, in spite of the newly-introduced parking fees there, which were put into place even though they were fought in court by none other than King Arthur Pendragon (4). Those who wish to mark the Solstice by going to a special place but who do not want to ‘pay to pray’ (or who may find the crowds at Stonehenge not their cup of tea) may well choose to celebrate at any of the many other stone circles and ancient sacred sites around Britain.

All over Spain even nowadays, Midsummer’s Night is celebrated by jumping over fires, into rivers, springs or the sea, or in some places both. You may not be so interested in such revelry, but it may still be helpful to you in your own personal storytelling to acknowledge this shortest night of the year and reflect on its symbolism. What that symbolism could be is up to you; our pagan British ancestors probably (according to some sources (5)) associated the Summer Solstice with Ura or heather (ericaceae spp), a plant which needs fire for the seeds to germinate, so reminding us perhaps of the fire which gives us life, the sun which shines the longest on this day for the whole wheel year. In Spain and other parts of Europe the celebration is associated with St. John and his flower, St. John’s Wort (Hypericum Perforatum) whose yellow petals and red juice can also remind us of the fire of the sun. It is also a traditional symbol of protection and of strengthening energy, perhaps reflective of the long days reminding us to gather strength ready for the darker colder times ahead.

Stories and spells

Whether you choose to acknowledge the Solstice tomorrow or not, you will surely continue to tell stories of your own, as well as being exposed to many others. How you choose to tell your stories is up to you, but as King would say, just by reading story books and watching films you have already started on a path which can aid you in healing, imaginative creation and gaining stronger connections to yourself and your world.

Your own way is yours to follow and your call will be unique. May you go with sunshine.

References

1. Abram, D, 1996. The Spell of the Sensuous: Perception and Language in the More-than-Human World.  Vintage: New York City, USA

2. Logan, K, 2017. ‘A Shaman’s View of Mental Illness’. Forever Conscious, 2017. http://foreverconscious.com/a-shamans-view-of-mental-illness

3. King, S, 1990. Urban Shaman: A Handbook for Personal and Planetary Transformation Based on the Hawaiian Way of the Adventurer. Simon & Schuster: New York City, USA.

4. BBC News, 2017. ‘King Arthur Pendragon loses Stonehenge ‘pay to pray’ court challenge’. http://www.bbc.com/news/uk-england-wiltshire-40033998

5. Sentier, E, 2013. Trees of the Goddess. Moon Books: Hants, UK

 

 

Elemental Depths and ideas for how to dive into them

Explorations into our Relationship with Water

All photos by David Ashwanden

It’s all around us, flowing beneath our feet even if we do not see it and condensing far above our heads, weaving its way through our lives in our every daily task and cycling ceaselessly as part of our bodies, refreshing, revitalising, rehydrating.

Our ancestors praised this most basic of elements – the one we are grown within before we are born, and which comprises around 60% of our beings (1). Many cultures around the world still celebrate water and use it in an effective and regenerative way. Yet somehow a lot of current activities, both on a large and small scale, seem to be ignoring or misusing water, which results in a cutting-off from the flow and thus from an important part of ourselves.

How are we disconnecting from our relationship with water and how can we reconnect?

Why does it matter what stories we tell ourselves about water?

And what actions can we take to address the imbalance caused by those interfering with flow?

This article will attempt to answer some of these questions, with an in-depth look at the specific case of the Mekong River, though it is by no means a complete answer. Think of it more as a flowing stream to which you can add if you wish.

How we relate to water

Throughout history, and in many current resilient societies, water has been and continues to be revered. Our human cultures show countless variations on the personification of water as a deity, from Varuna, the Vedic god of water and the Celestial Ocean, who rides upon the Makara, a kind of magical crocodile (2), to the Aztec “jade-skirted” Chalchiuhtlicue, serpent-goddess of rain, purification floods and childbirth, to the Inuit Sedna, fish-tailed goddess of the ocean and the underworld (3), to the Chinese Dragon Kings of the Four Seas (4).

A Naga guards the entrance to a temple next to the Mekong River in Vientiane, Laos. Photo by David Ashwanden.

Many societies throughout the world still celebrate and worship water and water deities, such as the Yoruba people of Nigeria, who celebrate Oshun, the goddess of sensuality, sweet waters and the moon, with an annual festival on the river which bears her name (5). Throughout South-East Asia there are various festivals dedicated to the Naga, which are serpent-formed water guardian spirits of Hindu origin (see for example 6). Many of these festivals have since been appropriated by the Buddhist religion yet the Naga still play an important part in the folklore of the region (see for example 7).

In Kerala, South India, the Naga are also remembered with the creation of “sarpakkavu” (8), sacred groves of trees dedicated to these spirits, while in the North of the country the goddess Ganga is remembered on a daily basis all along the river which bears her name, in particular in the holy city of Varanasi, where pilgrims come from all over the country to drink and bathe in the sacred waters, and into which the cremated bodies of the dead are also cast in order to be purified (see for example 9). In modern-day Mexico live the Wixarika people, known to Spanish-speakers as ‘Huicholes’, who follow one of the oldest unbroken pagan traditions in the world (see for example 10). Though they now live many thousands of miles away from their ancestral homelands they still make an annual pilgrimage to the deserts which produce the Hikuri cactus plants which form the centre of their mythology, on the way paying homage the serpent-goddess Nacawé (11) at a number of sacred springs in which they bathe (12).

From ‘The Dao Oracle’ by Ma Deva Padma.

When it comes to tracing the origins of my own ancestral myths it can be a little more difficult as the pagan origins of my European culture are to a great extent broken, especially in England, the country of my birth. Many water-deities which were once venerated in Europe are now simply stories, such as that of Coventina, naked lily-bearing British goddess of abundance, wells and springs (13), or Danu, the fertility river-goddess and mother of the ‘Tuatha da Danaan’ or fairy people, whose name, some believe, is the origin of the major European rivers Danube, Dniestr, Don and Dniper (14).   Interestingly, Dewi Danu is also the name of the serpent-riding water-goddess of the Balinese Hindus (15).

 

What Are We Doing with Water and Why?

Water is so much a part of our lives that it may be sometimes easy to take it for granted. One thing which seems of paramount importance to remember is that water represents, both physically and metaphorically, the principle of flow. All water is constantly cycling throughout the world, from the clouds to the ground, to the ocean… and back again. As we are made up largely of water, we literally embody this principle and so it may be worth bearing it in mind next time you consider yourself stuck in any type of situation.

As water is constantly flowing, it can be seen as an infinitely renewable resource. Up until around 100 years ago, the way in which we used water reflected and supported this. Water would fall from the sky, and we would collect it, use it, and re-cycle it. Water flowed from the ground, and we would care for the spring, tend it and ensure that it helped to nourish the land around as well as ourselves. However, when we started using more groundwater, this balance began tipping.

Groundwater is easier to pump up all in one place and to distribute in measurable amounts so it has become a favourite source for cities worldwide (16). The problem with this is that groundwater can only be replenished by rainwater filtering down through the land, which is currently happening in many places at a slower rate than we are pumping the groundwater up. groundwater also contains more minerals than rainwater so if it is the primary source for crop irrigation, it ends up in causing mineral saturation of the soil, which means you need even more water in order to flush through the salts so that the soil can stay fertile (16). At the same time, we design our buildings and communities to deal with rainwater, the fruits of the sky which we could easily be harvesting, not by catching it but by directing it away. Brad Lancaster, author of Rainwater Harvesting for Drylands and Beyond, calls this modern phenomenon a move from the “path of abundance” to the “path of scarcity” (16).

Mekong Case Study: Controlling the sacred flow

A key example of people following this “scarcity” path is the case of the Mekong river. This giant, the longest in South-East Asia (17), starts in the Tibetan plateau and flows through the Yunnan province of China, then snakes its way through Myanmar and Laos, forming part of the Thai-Laos border (17), before entering Cambodia where it joins the Tonle Sap river, which it causes, once a year, to flow backwards, thus filling the Tonle Sap Lake (18). After this it passes through Vietnam where it splits into many parts at the Mekong Delta, a richly biodiverse area of around 39,000 square kilometres, whose fingers reach eventually into the South China Sea (19).

Looking from Laos to Thailand across the Mekong.

The river is estimated to be around 4350 km long and is regarded as the 12th longest in the world (17). It is home to many water-species, and the source of livelihood as well as life to millions of animals and humans who inhabit the banks along its length. The humans are not as yet endangered, though many endangered species live here, including the Irrawady River Dolphin, the Mekong Giant Catfish, the Laotian Rock Rat  and the Indochinese Tiger (20). Because of its huge biodiversity new species are often discovered here, with the WWF reporting more than 2,216 newly discovered species since 1997,

“including a color-changing frog, a zombie-making “dementor” wasp, and the second-longest insect in the world”(20).

The name for the Mekong comes partly from the Thai or Burmese word for river, “meh-nam” (Thai: แม่น้ำ) which literally means “water-mother”, and it is along this river that the Naga water spirits are often celebrated, in particular on the night of Loy Krathong (7). This would seem to indicate that the people who live along the river have still some vestige of respect for the river and recognition of it as a giver of life. However, enough people in this region are following the “path of scarcity” that the Laos government has agreed to embark upon the Mekong river dam project, which involves building 11 dams along the entire length of the river. In the Chinese portion, there are already 5 dams which have severely disrupted the water flow throughout the rest of the river, causing drought and imbalance (21). Last year, construction began on the Xayaburi Dam (22), funded by Bangkok-based engineering company CH. Karnchang (23), and on the Don-Sahong Dam, a “joint venture of Malaysian company Major First and the Laotian government”(22). Both dams have been embarked upon without the permission of the Mekong River Commission, an international coalition set up to try to protect the river (22).

Sunset over the Mekong

“If all 11 dams are built, it will convert the lower stretches of the Mekong River into a series of stagnant reservoirs and irreversibly alter the river system of one of the world’s most important and iconic rivers,“(21) according to Maureen Harris of International Rivers (24).

The construction of the dams has been severely impeded by NGOs and other actors who would prefer the river to stay fertile and to continue sustaining life. There are so many factors involved with why the Mekong is being treated like this that there is no one simple solution to the problem, however, it seems important to look at some key ways in which the river is viewed in order to understand how to solve it.

Holy water and its powers

Firstly, as mentioned, many Mekong people still celebrate its abundant waters. Why is this important? Just because a group of people believe that the river is home to the snake-formed gods of the water, doesn’t mean it will stay protected…Does it?

All of our human action comes ultimately from our beliefs and values, and these are grown out of our cultural stories and mythologies. Therefore, if we want to change the actions of people, perhaps we have to first look at the stories they are telling themselves, and if the stories are not effective, help them to change them.

It is clear that those involved in the dam are following stories of scarcity – the idea that there is not enough water and so it needs to be hoarded. This can very swiftly turn into a self-fulfilling prophecy and indeed can already be seen to have done so in Yunnan: the dams there have created water shortages downstream, thus justifying the dam-builders’ fears of water shortage. This type of story can be seen as a negative cycle of erosion which can ultimately cause severe damage to all who tell it. Of course the water shortage is in fact caused by the dam’s blocking of the water’s natural flow, and so if we wish to regain this flow we need to encourage travelling outwards from the cycle of erosion into a new cycle of abundance.

Many of the water deities throughout history and around the world share characteristics- they are symbolic of fertility, of life, and of the joyous act of procreation. This can be seen in the fact that so many water deities from diverse and supposedly separate cultures are somehow associated with snakes or snake-like creatures, the snake being, as Carl Jung and Joseph Campbell (25) would put it, an archetypal symbol of sexuality and procreation. Perhaps one way we can help to protect the rivers is to remember this symbology and recognise water as the basis of life, which cannot be contained in one place, lest it become stagnant and sterile.

Modern myths

Yet it is not enough to just tell stories. We need to be really living this idea of water as abundance, that is, really feeling our connection to water as a sacred and constantly cycling force. How we do this is up to us. Our ancestors did it by personifying the elements and associating them with particular animals, places or trees which we can protect as part of our reverence. That doesn’t mean that we literally think the rivers or rocks are home to spirits, but the spirits, whatever shape they are, can be a useful metaphor to help us to remember the holistic nature of life and how we can help to protect and regenerate the things which in turn protect and regenerate us.

An example of a much more literal stance is the case of the Whanganui River in New Zealand, which, four days ago, was granted the same legal status as a human being (26). This has been heralded as a ‘victory’ for the Maori tribes to whom the river is sacred (26), yet it seems to be missing the point somewhat. If the river has the same legal rights as a human, this means it has the right, to some extent, to be protected. But humans are also subject to laws which mean they can be locked up or have their lands taken away from them. Granting the river legal rights may help in the short term to protect it but throws up questions of the legal rights of all humans, and how they can be contravened. The Whanganui has always been sacred to Whanganui iwi tribe, who recognise it as a living entity. But enshrining this recognition in law must throw up questions about our relationship to all living entities, in an age where humans, animals and plants alike are locked in tiny boxes, killed en masse, exiled from their homelands, separated by barriers of earth and water, subjected to poisoning of all kinds, for reasons as varied as ‘farming’, ‘economic progress’, ‘doing a 9-to-5 job’, or ‘immigration’.

Part of our understanding of this relationship has to come from our understanding of our cultural and personal stories. Perhaps changing your own story is going to be easy, like moving one pebble to release a huge portion of flow. Or perhaps it will take a more careful and considered dive into your life-stream. Whatever it takes, it seems clear that this is an essential part of revitalising our relationship with water around the world, and hopefully restoring the balance and abundance which can so easily be a part of our daily lives.

For more practical ideas about how we can work with flow you can check out my Water Farming article (27) and be sure to check back for the second parts of both articles…

Sources

1. Helmenstine, A.M (Phd), 2017. ‘How Much of Your Body is Water?’. ThoughtCo, 1/3/17. https://www.thoughtco.com/how-much-of-your-body-is-water-609406 

2. Naylor, S. T, 1997. ‘Varuna’.http://www.pantheon.org/articles/v/varuna.html

3. Miller, M.E, Taube, K.A, 1993. The Gods and Symbols of Ancient Mexico and the Maya: An Illustrated Dictionary of Mesoamerican Religion. Thames and Hudson: New York, USA.

4. Condon, R.G, Ogina, J, Holman Elders, 1996. The Northern Copper Inuit: A History. University of Toronto Press: Toronto, Canada.

5. Werner, E.T.C, 1922. Myths and Legends of China. Chapter VII: ‘The Myths of the Waters’. available as an e-text here: http://www.sacred-texts.com/cfu/mlc/mlc09.htm

6. Elgood, H, 2000. Hinduism and the Religious Arts. Cassell: London, UK.

7. Lexa-French, I, 2012. ‘Loy Kathung: The Night of the Naga’. Travelfish, 26/11/12. https://www.travelfish.org/beginners_detail/laos/24

8. Menon, S, 2010. ‘Saparkkavu – Nature Groves in Keralan Homes’. KarmaKerala, 31/1/10. http://www.karmakerala.com/news/2010/01/31/sarpakkavu-nature-groves-in-kerala-homes/

9.  Varanasi Temples, 2017. ‘Importance of the River Ganga’. http://varanasi-temples.com/category/importance-of-river-ganga/

10. Haworth, C, 2015. ‘Sacred Spaces’. Abudnance Garden, 3/3/15. https://abundancedancegarden.wordpress.com/2015/03/03/sacred-spaces/

11. Austin, A.L, 1997. Tamoachan, Tlamocan: Places of Mist. University of Colorado Press: Colorado, USA.

12.  Allen, B, 2015. ‘Last of the Medicine Men: Peyote’. Our Amazing World, 2015. available in parts on Youtube here: https://www.youtube.com/watch?v=7Bb_YC8pmCI

13. The White Goddess, 2017. ‘Coventina’. http://www.thewhitegoddess.co.uk/divinity_of_the_day/celtic/coventina.asp

14. Read Legends and Myths, 2017. ‘Danu’. http://www.read-legends-and-myths.com/danu.html

15. Lansing, S, 2006. Perfect Order: A Thousand Years in Bali. Chris Baldwin (Director), Should High Productions.

16. Lancaster, B, 2013. Rainwater Harvesting for Drylands and Beyond: Guiding Principles to Welcome Rain into Your Life and Landscape. Volume 1. Rainsource Press: Tucson, USA (distributed by Chelsea Green: New York, USA).   

17. Encyclopaedia Britannica, 2017. ‘Mekong River’. https://global.britannica.com/place/Mekong-River

18. Mekong Flows, 2017. ‘Tonle Sap Ecosystem’. http://mekongriver.info/tonle-sap

19. WWF, 2017. ‘Greater Mekong’. https://www.worldwildlife.org/places/greater-mekong

20. WWF, 2017. ‘Wildlife of the Greater Mekong’. http://wwf.panda.org/what_we_do/where_we_work/greatermekong/discovering_the_greater_mekong/species/

21. Rigby, J, 2016. ‘Dams, drought and disaster along the Mekong river’. IRIN News, 10/5/16. http://www.irinnews.org/news/2016/05/10/dams-drought-and-disaster-along-mekong-river

22. Fawthrop, T, 2016. ‘Killing the Mekong, dam by dam’. The Diplomat, 28/11/16. http://thediplomat.com/2016/11/killing-the-mekong-dam-by-dam/

23. CH. Karnang, 2017. ‘About Us’. http://www.ch-karnchang.co.th/en/#/about/us

24. International Rivers, 2017. ‘About Us’. https://www.internationalrivers.org/resources/about-international-rivers-3679

25. Campbell, J, 1949. The Hero with a Thousand Faces. Chapter 1: Myth and Dream. Pantheon Books: New York City

26. Roy, E. A, 2016. ‘New Zealand river granted same legal rights as human being’.The Guardian, 16/3/17.  https://www.theguardian.com/world/2017/mar/16/new-zealand-river-granted-same-legal-rights-as-human-being

27. Ashwanden, C, 2017. ‘Water Farming Part 1: How and Why Can We Start Farming Water?’. http://permaculturenews.org/2017/03/20/water-farming-part-1-can-start-farming-water/

 

 

 

 

 

 

 

 

A New Way to Say…

…How Stories Affect Our Minds, Culture and Relationships

Today’s world is full of issues, headlines which seem to demand our attention, problems which seem to call for us to solve them, all of the international confluence of human activity which seems to clash, sometimes messily, with our own unfocused day-to-day affairs.

Most of it seems unrelated: people want to build dams along the Mekong and different people to cross ‘sacred land’ with an oil pipeline; somewhere forests are being cut down and in many more places land is being slowly degraded with the blight of monoculture farming.  All of these and more global issues do actually have something in common, though. They are all part of our human culture, and as such, if we wish to change them the first thing we need to do is change the stories which are, whether we realise it consciously or not, the basis for much of our current action.

What Stories Are You Telling Yourself?

“It would not be too much to say”, said Joseph Campbell,

“That myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation.” (1)

All of our conceptions of how to relate to each other – “Religions, philosophies, arts…prime discoveries in science and technology, the very dreams that blister sleep, boil up from the basic, magic ring of myth.” (1)

Our “myths” – the stories of our culture, both conscious and subconscious – make up who we are: our personalities and our means of communicating with the rest of the world.  When they are helpful they can help us to express more of who we want to be, to “follow our bliss”. When they are not helpful they can underlie all of our problems and distort our perception of reality to the point where we are not even sure what is real anymore. In modern industrialised culture which is based on phonetic language we managed to create abstract concepts and thus artificially extract ourselves from the world around us. Are you still living that story? Do you really think it’s helpful to cut yourself away from the “potentized field of intelligence” (2) of all living things?

The Myths We Carry

We are all walking parts of myth, whether we realise it or not. Our psyches carry the stories of our ancestors and play the out in our own lives – creating situations we do not want, if we do not take control. Though many modern societies are now secular they are still based on Judeo-Christian mythology, much of which, as Campbell says, confuses a tribal god-figure with a world saviour. In the Bible, humans live in Eden until they are banished for committing original sin and even if we do not follow a faith based on this story we may still carry the feelings associated with it. These feelings could be guilt or shame about our bodies and natural impulses, or an idea that we do not belong in paradise, so anytime we find a pristine natural place, we need to change it in order to live in it. As I pointed out in my article Language and Permaculture part 2, (3)

“Some people think the word “Eden” comes from the Urgaritic base meaning “place that is well-watered throughout” (4). Toby Hemenway explores how the great deserts of what we now know as the Middle East used to be some of the most fertile places on Earth and it was only with the development of agriculture that the soil began eroding and water loss began to occur (5). In this sense the Garden of Eden story can be seen as an excuse for the development of agriculture and the subsequent effects of agriculture on the land being not something which we can control or are responsible for, but which are simply the punishments put on us by a vengeful tribal God-idea (1)”.

On a more physical level, the stories of our childhood and even of our time in our mothers’ womb are held within our bodies. This means that  if there are beliefs we want to change it may be as simple as moving or holding ourselves in a different way.

Why Are You Where You Are?

Mark Lakeman, founder of the City Repair Project (5) in Portland, Oregon, USA, tells this story:

“An indigenous man once said to me, he said,

‘Ha! You think that we are the ones that’ve been hurt, you’ve taken our land and we’ve been devastated‘ and he’s like  ‘Yeah it’s true we have a lot of problems but at least we know who we are, and you do not know your own story.‘

He said,

‘You don’t know what brought you to this place you’re at right now, you don’t know what it is you’re looking for, you say you wanna help the world but you don’t even know your own story within the continuum of all of these challenges…‘

He said, ‘So until you know where you’ve come from, the story of yourself in relation to your family, you don’t know what you’re capable of or even what your challenge is‘.” (7)

Starting Where We Are

My own roots are in the roots of the yarrow, the oak and rowan and birch, though my family now is scattered throughout many different types of ecosystem. The traditions of storytelling and generosity have been passed down to me from my mother, a giver, connector, and fun-lover. Skills and passion for designing systems have come from my father; healing and plant wisdom from my ancestors.

The concrete and tarmac of the city was my cradle and within it the green spaces which first started to call to us, my sister and I, that there is something more out there. My story is that of a refugee in their homeland and of a native in all parts of the world. Of learning to be sensitive to the feelings of my body and to come home into it more and more. Of trying to connect the deep compassion I felt for the humans, plants and animals ‘out there’ who I perceived as needing help with the raging silence within of my own disconnection between body, soul and energy; of experiencing the deep psychological fissures within the landscape of my soul first as mental illness, through a painful sensation to be numbed and buried, to a wrenching hallucination and out, as it were, the other side of the labyrinth seeing them now as scars of power, aids to my healing work.

I come from a family of explorers; father, mother, sister and I living on 4 different continents. Mixing our fractured cultureless culture with the cultures of those we find around us; nourishing our own sense of who we are as a comparison to others. For me, remembering our roots is as important as learning from the new people and environments we find ourselves in and my sister helps me with this, as well as helping my deep, unshakeable sense of the world as being nowhere near as serious as people make out, and of life as something to be enjoyed. My sister, space-holder for people’s creative expression, fun-lover, giver and receiver of wisdom.

So many people have helped me on my journey to where I am now and one of my best guides has been and continues to be my true love and fellow adventurer, the sound healer, entheogenic escort, language magician, midnight explorer, uncompromiser, relentless clown, player of games and facilitator of sacred spaces within and without. Through him I have become connected to a whole new family, also communicators and storytellers, healers and space-holders, like my sister-in-law, constant reminder of the joy of playing, connector, healer, relisher of the drama of life.

I carry all of these stories within me, and I cannot change where I come from. What I can change is how I perceive my place in my family and in the wider ecosystem, as well as how I weave my own stories together. Only by doing this can I hope to improve any other part of the world.

As Lakeman put it,

“Any planetary repair has to be predicated on local action.” (7)

The way our global human society interacts now, it is not enough to submit to local myths. We are part of a new “creative mythology” as Joseph Campbell put it (1); a culture where every individual’s experience and their own personal quest is respected within the wider acknowledgement of our connection to the animals and plants around us and the cosmos as a whole. Where the mystical experience of our own joyous reality is not a fairytale to be forgotten or a status to be passed down by an authority figure, but an intimately self-discoverable sensation.

If we have the courage to start, then

“We have not even to risk the adventure alone; for the heroes of all time have gone before us; the labyrinth is thoroughly known; we have only to follow the thread of the hero-path.

And where we had thought to find an abomination, we shall find a god; where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; where we had thought to be alone, we shall be with all the world.” (1)

References

1. Campbell, J, 1949. The Hero with a Thousand Faces. Chapter 1: Myth and Dream. Pantheon Books: New York City

2. Abram, D, 1996. The Spell of the Sensuous: Perception and Language in a More-Than-Human World. Vintage: New York City

3. Haworth, C, 2016. ‘Language and Permaculture Part 2: Practical Ideas for How We Use Terminology’. Permaculture News, 22/12/16. http://permaculturenews.org/2016/12/22/language-permaculture-part-2-practical-ideas-use-terminology/

4. Online Etymology Dictionary, 2016. ‘Eden’. http://www.etymonline.com/index.php?term=Eden

5. Hemenway, T, 2010. ‘How Permaculture Can Save Humanity and the Earth, but not Civilization’. Talk given at Nicholas School of the Environment, Duke University, North Carolina, USA and uploaded 9/2/13 to Films For Action: http://www.filmsforaction.org/watch/how-permaculture-can-save-humanity-and-the-earth-but-not-civilization/

6. City Repair Project, 2017. ‘Mission’. http://www.cityrepair.org/mission/

7. Lakeman, M, 2007. ‘City Repair – Permaculture for Urban Spaces’. Peak Moment TV, 2007. Available on Films for Action here: http://www.filmsforaction.org/watch/city-repair-permaculture-for-urban-spaces/

Hypnotic Poetry Experiment No.3

This is a re-blog from the wonderful ravings of my husband’s blog. Helping to Garden Abundantly with a bit of mental ecological redesign…:)

Learning to Give

It’s not always easy to remember the blessings we are constantly receiving as we explore and grow in our complex lives, and there are so many compelling and diverse distractions!
Aren’t there?!
I mean, just think of the internet for one…

There are so many tools, so many choices, so many views…
So many pictures on facebook.

It’s almost a surprise… a genuinely pleasant surprise to discover, remember, and find our inner gifts… waiting for us… in the silence…

because there’s so much noise!

Sometimes we just have to stop…
and listen
and be aware…
in the quietness
of the unbounded space
which still… exists… still…
inside
and remembering
sometimes
is difficult… to forget…

that’s right…

So easy… when we find… the time…
is all… right… here…

waiting for us…
All the time we’re seeking…
all the freedom
all the space… the boundless space
is here
right where
it’s always…

View original post 1,230 more words

Dolphin Poem

A bit of a change from the recent exploratory articles. Photo by David Ashwanden from a beach in Qeri, Goa. Enjoy.